We will present to the audience the Central European Music Industry Report 2020 on the CCS Ecosystems: FLIPPING THE ODDS” Conference – a two-day high-level stakeholder event jointly organized with the European Commission, DG Education and Culture.
A review of the Hungarian & Czech grant needs assessments, the role of grants and the granting experience of musicians in the region. How to build collective HR and R&D tools for microenterprises, independent labels, publishers and small collective …
My study, Private Copying in Croatia, argues for an overhaul of the Croatian private copying remuneration scheme and gives some empirical evidence for the transposition of the DSM Directive. Even for those who are not interested in royalties, the first 3 chapters offer a very interesting introduction on how people listen to music, how musicians make music and how people copy it in the 21st century.
I presented my market view and experience with distinguished colleagues from the Baltic states, Central Europe and the Balkan, representatives of WIN and IFPI and the international indie distributor State 51. We had a lively discussion on why emerging markets are emerging so slowly in the new digital music business.
Pricing methods in the CISAC Good Governance seminar for author's societies.
My short presentation highlighted the fact that the CEE region’s is much richer in terms of household cultural and recreational spending than music publishers believe.
A localization of the measuring European Public Sector Information resources for Hungary in the fields of Business information, geographic information, legal information, meteorological information, social data and transport information. Market sizing, service levels, pricing.